Works of  Annie Fields
 

 
Notable Women: Mme. Blanc

( " Th. Bentzon " )

Annie Adams Fields

Century Magazine 66 (May 1903), 134-9.

It is natural that the attention and affection of Americans should be attracted to a woman who has devoted herself assiduously to understanding and to making known the aspirations of our country, especially in introducing the labors and achievements of our women to their sisters in France, of whom we also have much to learn; for simple homely virtues and the charm of womanliness may still be studied with advantage on the soil of France.

     Thérèse de Solms Blanc, or "Th. Bentzon," novelist and essayist, was born in an old French château at Seine-Port, in France, near what she herself has called "a delicious village" in the department of the Seine-et-Oise. The château was owned by her grandmother, the Marquise de Vitry, who was a woman of great force and energy of character, "a ministering angel" to her country neighborhood. Her grandmother's first marriage was to a Dane, Major-General Adrien Benjamin de Bentzon, who was a governor of the Danish Antilles. By this marriage there was one daughter, the mother of Thérèse, who in her turn married the Comte de Solms. "This mixture of races," Mme. Blanc once wrote, "surely explains a kind of moral and intellectual cosmopolitanism which is found in my nature. My father of German descent, my mother of Danish, my nom de plume (which was her maiden name) is Danish. -- with Protestant ancestors on her side, though she and I were Catholics; my grandmother a sound and witty Parisian, gay, brilliant, lively, with imperturbable physical health and the consequent good spirits -- surely these materials could not have produced other than a cosmopolitan being."

    Mme. Blanc's life in the country during her early years, although under conditions apparently unchanged from those of an earlier century, was wonderfully conducive to the child's health and her best physical development. The family at the château, although far from rich, was nevertheless considered the protecting power of the small village which surrounded their domain. The family soon removed to a second château, this time in the Orléanais, where the two children, her brother and herself, seem to have remained the larger part of the year, while their elders were in Paris.

    The Marquis de Vitry was a most affectionate grandfather to these children. He was a perfect type of the old régime, having been a boy of thirteen or fourteen when the great Revolution broke out. In the Reign of Terror his life and his younger brother's were saved by their tutor, and in a printing-office, where they were hidden as apprentices to learn the trade, they one day set the type for the bill of sale of their own confiscated estates. He was a superbly handsome man, as kind and generous as he was handsome, and evidently a most enchanting companion. Mme. Blanc's recollections of her childhood in this country home, where she and her brother found playmates among the village children, give delightful glimpses of a France which no longer exists. I well remember one story of the wedding of two young peasants. The ceremony was to take place, of course, in the village church, and their little lady, Mlle. de Solms, was invited to represent the great house, and was expected to be present. At the moment of receiving the invitation she was playing out of doors in her cape bonnet and pinafore, with good stout shoes well tied up round her sturdy little feet, an unconscious subject for Greuze, if ever one were seen. The child appreciated the greatness of the occasion, and cast about in her mind as to what her offering might be: she could think of nothing good enough for the marriage gift except one of her own dear rabbits. She did not think twice; one of these great treasures should go. She hunted and found her pet, and carrying him by the ears, led the procession -- cape bonnet, struggling rabbit, and all -- up to the altar! Only in after years did the scene fully reveal its comic side to her mind; at the moment all was seriousness, coupled with a sense of high duty and pleasure in such generosity.

    At this very early period an admirable English governess was found for the small Thérèse and her brother. Mme. Blanc has written of this period of her life: "At the bottom of all I have done I find the moral influence of my mother, who especially preached by example, combined with the British impulse given me by my dear Miss Robertson, who inculcated love of truth and simplicity; the traditions of the home of my grandparents, who kept me a century behind in many things; a passionate love of nature, due to long years spent in the country, where I have passed the greater part of my life; the keen sensations of the beauties of a landscape; the precocious curiosity to learn; and the happiness which comes from scribbling."

    In the healthful and picturesque surroundings of an old French neighborhood such as we have described, the child lived, except for certain brief periods passed at Paris with her father and mother, who had made a winter home for themselves there. Thus the days went by until she was sixteen years old, when it was considered proper that a husband should be found for her. It was one of the last acts of her father's life. He died the winter of his daughter's marriage, having consigned the care of his beautiful young child to one of his own friends, M. Alexandre Blanc, whose estates were in the southern city of Vienne, whither she went to live.

    It seems to have been a deceptive dream to M. Blanc, as well as to herself, that they could leave the world of Paris, to which they were both wonted, and go to his birthplace to live permanently. The old family demesne could not be long occupied by her husband, because he was too actively interested in affairs in Paris. At intervals it was necessary that she should be left quite alone in this strange city, full of provincial interests of which she knew nothing, and thrown among strangers. Before many months they returned to Paris. Meanwhile her father had died, and she was gladly received again at the home of her mother. Here her child was born, a son, before the end of the year, when she was barely seventeen years old. Presently the estates at Vienne were definitely and finally abandoned.

    A turning-point in the career of Mme. Blanc was thus reached very early in her life. She saw that the moment had arrived when her literary talent, which had never been altogether dormant, must awaken into full energy. "The melting away of what fortune I had," she has written, "justified the development and affirmation of my literary tastes. Consequently, I have always looked upon poverty as an obliging friend, for it placed the pen firmly in my hand. Though I had long written for my own amusement, only once had I seen myself in print, and, curiously enough, I made this debut in English dress. I had translated a book of Viscount de Noe, one of our friends, whose 'Episodes of the Crimean War' had appeared in the 'Revue des Deux Mondes.' I have always suspected that Colonel de Noe, who was English on his mother's side, must have touched up the manuscript before publishing it."

    Her English governess was happy in finding such a grateful pupil. Mme. Blanc continually refers to this good friend. "It is to her I am indebted," she says, "for my love of English literature. She set me to reading works which were far beyond my years, but which I understood very well. After the Waverley Novels, I was carried away by Washington Irving, which was my first acquaintance with America."

    About this time her mother contracted a second marriage with the Comte d'Aure, equerry of the Emperor Napoleon III. "He was," Mme. Blanc says, "a superior man in every respect. He was my literary providence. It was through him that I made the acquaintance of George Sand, that woman of genius, whom I visited at Nohant, and whose counsels and encouragement I enjoyed. She recommended me in vain to Buloz" (who was at the time editor of the "Revue des Deux Mondes," and through whose vast abilities the great review came into the large place it can never lose under the hands of Brunetière), "but my talents, in which she believed, were not yet ripe for the 'Revue des Deux Mondes.'  'At twenty-two I could not have done what you are doing,' George Sand said to me one day. But the person to whom I am most indebted in the matter of literary advice is the late M. Caro, the famous Sorbonne professor of philosophy, himself an admirable writer, who, as he used to say, put me through a course of literature, acting as my guide through a vast amount of solid reading, and criticizing my work with kindly severity."

    A useful lesson may be drawn from the experience of Mme. Blanc in being recommended to the "Revue" by George Sand, who was then at the height of her popularity. The editor, like others we have known, preferred to use his own mind, and insisted that work must recommend itself. The idea still holds good; much trouble would be spared if writers would stand on their own achievements, and not ask the recommendations of others to editors who must always use their own judgment.

    The time was to come when M. Buloz found one of her stories in the pages of the "Journal des Debats." It was the one entitled "Un Divorce," and he lost no time in engaging the young writer to become one of his staff. From that day to this she has found the pages of the "Revue " always open to her. Mme. Blanc had been writing for the newspapers ten years when she produced "Un Divorce"; therefore her hand was steady for her work, and from that day of her pronounced success to this she has never been idle. Indeed, her industry is something phenomenal. A complete list of her writings up to the present time is not easy to find -- perhaps I am safe to say impossible; but a list of thirty books was advertised by her publisher, Calmann Lévy, in 1898, without counting an excellent volume upon Canada. This list does not contain "Un Divorce "; indeed, it is possible that another list of the same length could be made up from other sources. Three of her stories have been crowned by the French Academy -- " Constance," "Tony" and "Un Remords." Mme. Blanc's last novel, "Tchlovek," must not be passed over without special mention. It is conceived and executed in the large manner of ripe work, and with all her old charm, to which she has added knowledge of modern conditions and modem thought. It is not only a masterly work, but it is also one showing both growth and finished art.

    Mme. Blanc has not, however, seated herself in the center of a web to spin stories alone. She has lived much in the world, often with most distinguished companionship, and has eagerly embraced the opportunities which have presented themselves to enlarge the scope of her interests. These opportunities have been so various and continuous that one realizes at last, if not at first, that something of the roaming and spirited soldier nature of her ancestors must be in her veins. In her young womanhood her stepfather, the Comte d'Aure, was a great lover of horses. One day Mme. Sand urged him to read that delightful first book of Cherbuliez, "Un cheval de Phidias." He having passed it on to his daughter, she wrote a review of it for a French sporting journal. "George Sand sent the author my notice without telling me, and Cherbuliez returned a note of thanks to the office of  'La France Hippique,' supposing it to be the work of some man on the staff. I replied, without revealing my identity, and if my letters seemed to interest him, it is mainly because I was aided by the thorough knowledge concerning things equestrian possessed by my stepfather, who was one of the most famous horsemen of France. And thus it happened that I was in correspondence with Cherbuliez for over twenty years before making his personal acquaintance. I have still two or three precious letters of his which I carefully guard, especially the last one addressed to M. d'Aure, who finally let him into the long-kept secret."

    This incident gives one an idea of her life beyond the writing-desk. She was a fine rider at that time, with plenty of good horses at her command, and the best of riding companions. Her home was in the old French palace of St. Cloud, and she was a sharer of the gaieties of the court at Fontainebleau or in Paris. After the death of her stepfather she became a great walker, and has always kept up the good habit. A few years ago it was my happy fortune to pass some time with her at Barbizon. The weather was sunny and beautiful, and it was the habit of the place to take an early luncheon, or breakfast, at half-past eleven, when we always met at table in the open air. After the dejeuner, all literary work having been previously dispatched, we would start for a walk in the great forest of Fontainebleau. Mme. Blanc apparently knew every inch of the way as well as she knew the pavement of the Rue de Grenelle, and from noon until dark we would walk and rest under the great trees, and walk again, while she peopled the forest with histories connected with that romantic region, or read to us from her enchanting store of George Sand's unpublished letters. My companion and I used sometimes to confess fatigue the following morning after these endless tramps; but Mme. Blanc was always perfectly fresh the next day, and eager to continue her walks and talks; and continue we did, most gratefully and delightedly.

    My first acquaintance with Mme. Blanc began in 1883. In February of that year she printed a long critical paper, in the "Revue des Deux Mondes," [ 1 February1885 ] upon the New England stories of my friend Miss Jewett, which showed such keen understanding and extraordinary literary gift, such a sympathetic appreciation of a land outside any practical knowledge of the writer, that Miss Jewett wrote a note of acknowledgment to the unknown "M. Th. Bentzon " to express her pleasure in his work. When Mme. Blanc wrote a delightful womanly reply, and the case was made clear, a correspondence was begun between the two ladies which laid the foundation of a long-continued friendship.

    Eight years later we visited Paris, and found ourselves on the staircase of an old mansion in the ancient part of the city. "Perhaps we shall do better to turn back," Miss Jewett said; "it is really taking a great risk to see so old a friend for the first time. This dear and intimate friendship of ours may be in danger." But her companion, being of a more daring mind in such matters, rang the bell, and the trial moment was soon most happily over.

    Mme. Blanc, at this time, was living alone. Her mother had lately died, before years had touched her charming gifts or very unusual powers, leaving her daughter to confront the practical side of life, of which hitherto she had no experience. Mme. Blanc's only son, a scholar and traveler, who had already won fame for himself, was often absent in the far East. Of course her life was a very busy one, but when did "affairs" in a woman's life ever fill the place of the affections and the cares of a home!


A few years earlier Mme. Blanc had also introduced Aldrich to the French world of letters. She had translated "Marjorie Daw" and published it in the "Revue," with the author's name alone, which was her custom with translations; thus a whole new world of readers were made acquainted with his work. Also, still earlier than this, she had done the same for Bret Harte. Therefore, in 1893, when the time arrived for Mme. Blanc to come to America, she had many friends and readers, and could not feel herself a stranger.

    It is most interesting to observe the effect that life in the United States produced upon this true Parisian lady. Mme. Blanc was no ordinary traveler. Armed with a distinct purpose to observe and to record, she went three times, always alone, from the Atlantic coast to Chicago, and wrote of that city and its famous Exposition many admirable things which had not been put on record before. Since 1893, many questions, new at that time, have become a part of the natural atmosphere of thought, yet Mme. Blanc's comments are still most instructive and admirable, and to many women of the Eastern States they must still be new.

    In proof of the effect produced on her mind by life here and in Canada, we find five volumes full of interesting material. One of these books, which she calls " Femmes d'Amérique," she says she has written solely for Frenchwomen, in order to introduce them to their sisters beyond the sea. These volumes are all the result of the closest personal observations. The first one, published in 1896, besides her interesting pictures of and reflections upon Chicago, contains also a charming account of Boston, which, she says (at first sight of the great circle of lights reflected in the Charles River), "m'éblouit comme un réve de beauté,"'

    This first book is called " Les Américaines chez elles," and bears the mark throughout of a new note having been struck in her experience. The individualism developed in America is, of course, something which has grown with our growth and brought about astonishing results so quietly that we have hardly recognized them ourselves. The fact that every created being -- man, woman, and child -- has a place and a right to be considered in the world, is a truth which has never found such full development as here and now. To find so many women who had come to a new sense of the value of existence, employed for the service of others outside their homes as well as inside -- all this naturally impressed, with a sense of revelation, one who had been educated amid different conditions of life. "Charity," "benevolence," had been known before, but the sense that the poor have a right to come to the surface and breathe, to be given a chance with the rest, much of this was new, and all the new forms of work in college settlements, upon tenement-houses, in schools, and for defective children, and the myriad different forms in which rescue for the unfortunate presents itself to the American citizen of the present hour, made a deep mark upon her and animated her pen.

    Her next book, called "Things and People in America" (1898), begins with a paper on communism in America, prompted by Bellamy's "Looking Backward" and his later book called "Equality." Evidently new trains of thought had been awakened, and Mme. Blanc was eagerly studying and watching whither they might lead. She felt revolution in the air, but found no features in common between such social revolution and the revolutions of Europe. A few brief years, and although the advantage still rests with us, the same spirit is seen to have been at work all over the world. It is interesting to see how so short a time ago these first notes struck a fresh rejoinder from the old world of France.

    This volume contains also an admirable picture of the community of Shakers in Alfred, Maine, critical and biographical papers upon Charles Warren Stoddard and Sidney Lanier, done in her own fine original manner, and a paper written after a visit to her friend Octave Thanet's plantation in Arkansas. Finally, the book ends with an essay on family life in America.

    In 1897 Mme. Blanc made a second visit to America, in company with M. and Mme.  Ferdinand Brunetière. The editor of the "Revue des Deux Mondes" had been invited to give a series of lectures at both Johns Hopkins and Harvard universities. It was during this second journey that Mme. Blanc accompanied her friends to Canada, and afterward wrote her fourth delightful book. A singular freshness and charm are in its pages. The unexpected way in which the French have held together without commingling with their neighbors; the remarkable preservation of the language, which is more like the language of the time of Louis XIV than the Parisian French of to-day; the sharp lines that are drawn between the English and French citizens; her own Catholic faith as seen from that new standpoint; her life with the " sisters " of various religious houses -- all give a personal as well as a national flavor to her book.

    Her fifth volume on American topics is chiefly written from a literary point of view. It is entitled "Questions Américaines," but they are questions raised and answered through the works and lives of others. The writings of Hamlin Garland, T. W. Higginson, Rudyard Kipling, Thomas Nelson Page, Miss Grace King, George W. Cable, and William Allen White, are reviewed in its pages, but always with the skill of a true literary artist from the American point of view. Thus France will receive from these writers, as she translates and interprets them, wonderful pictures of Kansas, Louisiana, and Virginia, of prairie life, and last, but not least, of New England.

    The fine résumé of Mr. Kipling's work is the exception among American topics. Probably his temporary residence was one reason for including his name (our pride delights in whatever small portion we may claim of Rudyard Kipling), but Mme. Blanc's deep interest in army affairs goes far to make her wish to include his work in her repertory. She ends her paper with the words: "II est vrai que chez nous, Dieu merci, le soldat c'est la France tout entière, et que cette raison doit suffire pour qu'on le respecte et qu'on 1'aime."

    The International Congress of Women organized in Washington in 1888 met in London in 1899. Mme. Blanc ends her latest American book with an account of this congress. In her paper she pays a deserved tribute to Mrs. Johnson of Sherborn, whose name must be forever associated with the building up and the continued creation of this our Woman's Prison of Massachusetts; she also speaks with deep appreciation of the Elmira Reformatory under Mr. Brockway as a lighthouse in the great sea of this subject. It is a masterly essay, giving brief sketches of the reports from England, Russia, Germany, and elsewhere with perfect intelligence and impartiality.

    After this recapitulation of Mme. Blanc's literary relations with our own country, and the brief sketch of her life, another word must surely be added to express, however unfitly, her grace and wit and charming kindness, and, above all, the noble character and determination with which she stands for what she believes.



















 Edited by Terry Heller, Coe College.
 
Works of  Annie Fields